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The Fire in Fiction: Passion, Purpose and Techniques to Make Your Novel Great |  | Author: Donald Maass
Publisher: Writers Digest Books
Category: Book
List Price: $17.99
Buy New: $5.99
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Seller: Book Gallery Outlet
Rating:  24 reviews
Sales Rank: 32940
Media: Paperback
Pages: 272
Number Of Items: 1
Shipping Weight (lbs): 0.8
Dimensions (in): 8.9 x 5.9 x 0.9
ISBN: 158297506X
Dewey Decimal Number: 808.3
EAN: 9781582975061
ASIN: 158297506X
Publication Date: May 6, 2009
Availability: Usually ships in 1-2 business days
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Product Description
How do widely published authors keep their stories burning hot? Learn how to supercharge every story with deep conviction and, conversely, turn fiery passion into effective story. The Fire in the Fiction shows you not only how to write compelling stories filled with interesting settings and vivid characters, but how to do it over and over again. With examples drawn from current novels, this inspiring guide shows you how to infuse your writing with life.
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Showing reviews 1-5 of 24
 Advanced Techniques for Revising Fiction Drafts December 21, 2009
C. J. Singh (Berkeley, California, USA)
19 out of 19 found this review helpful
"THE FIRE IN FICTION--Passion, Purpose and Techniques" is a sophisticated workbook for revising fiction drafts. The reviewer who wrote that it's "not as in-depth" as Maass's earlier workbook is mistaken. On the contrary, "The Fire in Fiction" presents advanced exercises, aptly titled "Practical Tools," in each chapter that deepen and build on the earlier workbook's foundational exercises.
Having recently studied Donald Maass's three fiction-craft books
in the order they were published --
Writing the Breakout Novel;
Writing the Breakout Novel Workbook;
The Fire in Fiction: Passion, Purpose and Techniques
-- I have to disagree with the same reviewer's odd classification, "If you think of the original Breakout as a bachelor's degree in fiction writing, the Workbook is a PhD. However, The Fire in Fiction is more like a master's degree." No.
The first chapter in "The Fire in Fiction" suggests exercises such as: "Is your protagonist an ordinary person? Find in him any kind of strength. Work out a way for that strength to be demonstrated within your protagonist's first five pages. Is your protagonist a hero--that is, someone who is already strong? Find in him something conflicted, fallible, humbling, or human. Work out a way for that flaw to be demonstrated within your protagonist's first five pages. Revise your character's introduction to your readers. Be sure to soften the flaw with self-awareness or self-deprecating humor." Examples cited include excerpts from novels by Chuck Palahuniak's "Choke" (2001); Cormac McCarthy's "The Road"(2006); Charles Frazier's "Thirteen Moons (2006); and Ethan Canin's "America America" (2008).
The second chapter, "Characters Who Matter," suggests exercises such as: "Find five ways and times at which your antagonist will directly engage your protagonist. Create four actions that will make your antagonist warm and sympathetic." Illustrations include excerpts from Russell Banks's "The Reserve" (2008) and Charles Baxter's "The Soul Thief" (2008). Some of the most instructive exercises are in Chapter 8, "Tension All the Time": exercises on creating tension on every page -- in dialogue, action, exposition.
Throughout, Maass presents excerpts from genre fiction like Jim Butcher's "White Night" (2007) as well as stellar literary novels like Nick Hornby's "How to be Good" (2001), Marilynne Robinson's "Gilead" (2004), E.L. Doctorow's "The March" (2005), Gary Shteyngart's "Absurdistan" (2006), Christopher Buckley's "Boomsday" (2007), and Don DeLillo's "Falling Man" (2008).
Five shining stars for Donald Maass's "Fire in Fiction." -- C J Singh
Excellent Resource for Revision December 15, 2009
Chungarru (Parker, CO USA)
8 out of 9 found this review helpful
As good as his "Writing a Breakout Novel." Very readable, with many insightful tips. This book has many ideas and anecdotes that helped me with revision. What Donald offers here that isn't in other books is a set of techniques to amplify characters and make the story more theirs, while enhancing emotional connections with reader.
Personally, I got the most mileage out of Chapter 6: Making the Impossible Real, which explores how to draw readers into parts of the novel that are utter and complete make-believe with exercises that will help you overcome a reader's suspension of disbelief on things like villains, monsters, and the story world.
These tool can also be used when planning a novel, but I think them most useful after that 1st draft is on paper.
Bravo January 27, 2010
Taka (T.Kyo, Japan)
6 out of 7 found this review helpful
Because Donald Maass's earlier book, WRITING THE BREAKOUT NOVEL was so good, I was afraid of being let down by his newest and didn't even touch it for a while when it arrived in mail.
What is he going to say that could be better? Is this going to be just a rehash of the old material in his earlier book?
Doubts swirled, but I finally convinced myself to read it.
What a ride.
He goes well above and beyond my highest expectations. Compared to his earlier book, the book is more tightly organized and focused, and comes with tons of practical tools to energize your manuscript with - something his earlier book didn't have. He really goes in depth with the most important topics of writing fiction, and Chapter 8 on micro-tension alone is worth the price of the entire book in my opinion.
It is extremely difficult to determine the cause from effects. What makes a good story? That is the million-dollar question I have been asking myself ever since I began writing seriously. I've read a fair number of books on writing but none of them seemed to do it for me. I groped further and read book after book, classic after classic in search of the holy grail of storytelling. But I couldn't figure it out. When I read Murakami, for example, I would lose myself in his world as if by magic and when I came back out of it, I could only say, "What the hell happened?"
And it looks like Mr. Maass could be the Galahad I have been looking for as he has a theory on the secret workings of this magic of good fiction. If not, at least he gives us a key to unlocking the mystery of The Good Story.
What's this key, this Holy Grail of Storytelling? That, my friends, you must find for yourself between the covers of this book.
A must read for any serious fiction writer.
This book delivered. October 12, 2009
E. Vickers (Monrovia, CA USA)
4 out of 5 found this review helpful
I felt this book really delivered what it promised. Donald Maas cuts to the heart of what makes good fiction compelling. I found especially helpful the books he cites to illustrate a point: It gave me a great reading list! I was able to immerse myself in really good fiction that helpmed me understand the point he was making and how it affected the reading experience.
I highly recommend it, not just for novelists, but for screenwriters and writers of other genres as well.
We All Need Fire! May 29, 2009
Therese A. Tappouni (Indian Shores, FLorida)
7 out of 10 found this review helpful
The Fire in Fiction came along as I was agonizing over what was missing in my latest novel manuscript. As a teacher of writing, I also got amazing guidance to help with manuscripts that were on the way but just not there. Donald Maas is an expert who writes in a way that excites the writer to excel and entertain, while entertaining us himself. I recommend this book highly, and I've read many books on writing. This one is outstanding.
Showing reviews 1-5 of 24
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